Funk is an American ^ b. English is the de facto language of American government and the sole language spoken at home by 80% of Americans age five and older. Spanish is the second most commonly spoken language music genre There are several approaches to genre. In his book Form in Tonal Music, Douglass M. Green lists the madrigal, the motet, the canzona, the ricercar, and the dance as examples of genres . According to Green, "Beethoven's Op. 61 and Mendelssohn's Op. 64 are identical in genre - both are violin concertos - but different in form. Mozart's Rondo that originated in the late 1960s 1960s in music. This decade broke the boundaries of pop music from the 1950s and saw the growth and popularity of rock. There was also an emergence of singer–songwriters that wrote and performed their own music such as Bob Dylan and The Beatles. Rock n roll music expanded greatly this decade with different genres of rock emerging such as folk when African American Predominantly Protestant ; some Roman Catholics. Minorities practice Islam and other religions musicians blended soul music Soul music is a music genre originating in the United States combining elements of gospel music and rhythm and blues. According to the Rock and Roll Hall of Fame, soul is "music that arose out of the black experience in America through the transmutation of gospel and rhythm & blues into a form of funky, secular testifying." Catchy, soul jazz Soul jazz was a development of hard bop which incorporated strong influences from blues, gospel and rhythm and blues in music for small groups, often the organ trio which featured the Hammond organ. Important soul jazz organists included Bill Doggett, Charles Earland, Richard "Groove" Holmes, Les McCann, "Brother" Jack McDuff, and R&B Rhythm and blues, often abbreviated to R&B, is a genre of popular African American music that originated in the 1940s. The term was originally used by record companies to describe recordings marketed predominantly to urban African Americans, at a time when "urbane, rocking, jazz based music with a heavy, insistent beat" was becoming into a rhythmic The study of rhythm, stress, and pitch in speech is called prosody; it is a topic in linguistics. Narmour describes three categories of prosodic rules which create rhythmic successions which are additive , cumulative (short-long), or countercumulative (long-short). Cumulation is associated with closure or relaxation, countercumulation with, danceable Dance is an art form that generally refers to movement of the body, usually rhythmic and to music, used as a form of expression, social interaction or presented in a spiritual or performance setting new form of music. Funk de-emphasizes melody A melody , also tune, voice, or line, is a linear succession of musical tones which is perceived as a single entity. In its most literal sense, a melody is a sequence of pitches and durations, while, more figuratively, the term has occasionally been extended to include successions of other musical elements such as tone color and harmony In music, harmony is the use of simultaneous pitches , or chords. The study of harmony involves chords and their construction and chord progressions and the principles of connection that govern them. Harmony is often said to refer to the "vertical" aspect of music, as distinguished from melodic line, or the "horizontal" aspect and brings a strong rhythmic The study of rhythm, stress, and pitch in speech is called prosody; it is a topic in linguistics. Narmour describes three categories of prosodic rules which create rhythmic successions which are additive , cumulative (short-long), or countercumulative (long-short). Cumulation is associated with closure or relaxation, countercumulation with groove of electric bass and drums to the foreground. Funk songs are often based on an extended vamp In music, an ostinato is a motif or phrase which is persistently repeated in the same musical voice. An ostinato is always a succession of equal sounds. Each note always has the same weight in an ostinato. The repeating idea may be a rhythmic pattern, part of a tune, or a complete melody. Both "ostinatoes" and "ostinati" are on a single chord A chord progression is a series of musical chords, or chord changes that "aims for a definite goal" of establishing (or contradicting) a tonality founded on a key, root or tonic chord. Chords and chord theory are generally known as harmony, distinguishing it from R&B Rhythm and blues, often abbreviated to R&B, is a genre of popular African American music that originated in the 1940s. The term was originally used by record companies to describe recordings marketed predominantly to urban African Americans, at a time when "urbane, rocking, jazz based music with a heavy, insistent beat" was becoming and soul songs centered around chord progressions.

Like much African-inspired music, funk typically consists of a complex groove Groove is the sense of propulsive rhythmic "feel" or sense of "swing" created by the interaction of the music played by a band's rhythm section . The term is mainly used in the context of genres outside of Western art music, such as funk, rock music, power groove, fusion, and soul with rhythm instruments such as electric guitar An electric guitar is a guitar that uses the principle of electromagnetic induction to convert vibrations of its strings into electric signals. Since the generated signal is too weak to drive a loudspeaker, it is amplified before sending it to a loudspeaker. Since the output of an electric guitar is an electric signal, the signal may easily be, electric bass The bass guitar is a stringed instrument played primarily with the fingers or thumb (either by plucking, slapping, popping, tapping, or thumping), or by using a plectrum, Hammond organ The Hammond organ is an electric organ invented by Laurens Hammond in 1934 and manufactured by the Hammond Organ Company. While the Hammond organ was originally sold to churches as a lower-cost alternative to the wind-driven pipe organ in the 1960s and 1970s, it became a standard keyboard instrument for jazz, blues, rock music, church and gospel, and drums A drum kit is a collection of drums, cymbals and often other percussion instruments, such as cowbells, wood blocks, triangles, chimes, or tambourines, arranged for convenient playing by a single person (drummer) playing interlocking rhythms. Funk bands sometimes have a horn section In music, a horn section can refer to several groups of musicians. It can refer to the musicians in a symphony orchestra who play the horn . In a British-style brass band it refers to the tenor horn players. In popular music, it can also refer to a small group of wind instrumentalists who augment a band. The composition of these groups can vary, of several saxophones The saxophone is a conical-bored transposing musical instrument that is a member of the woodwind family. Saxophones are usually made of brass and played with a single-reed mouthpiece similar to that of the clarinet. The saxophone was invented by the Belgian Adolphe Sax in 1841. He wanted to create an instrument that would both be the most powerful, trumpets The trumpet is the musical instrument with the highest register in the brass family. Trumpets are among the oldest musical instruments, dating back to at least 1500 BCE. They are constructed of brass tubing bent twice into an oblong shape, and are played by blowing air through closed lips, producing a "buzzing" sound which starts a, and in some cases, a trombone The trombone is a musical instrument in the brass family. Like all brass instruments, sound is produced when the player’s vibrating lips cause the air column inside the instrument to vibrate. The trombone is usually characterised by a telescopic slide with which the player varies the length of the tube to change pitches, although the valve, which plays rhythmic "hits".

Many of the most famous bands in the genre also played disco and soul extensively. Funk music was a major influence on the development of disco Disco is a genre of dance music whose popularity peaked during the middle to late 1970s. It had its roots in clubs that catered to African American, gay, psychedelic and other communities in New York City and Philadelphia during the late 1960s and early 1970s. Disco was a reaction by New York City's gays as well as black and Latino heterosexuals music and afrobeat Afrobeat is a combination of traditional Yoruba music, jazz, highlife, funk and chanted vocals, fused with percussion and vocal styles, popularized in Africa in the 1970s. Its main creator was the Nigerian multi-instrumentalist and bandleader Fela Kuti, who gave it its name, who used it to revolutionise musical structure as well as the political, and funk samples In music, sampling is the act of taking a portion, or sample, of one sound recording and reusing it as an instrument or a different sound recording of a song. The wide spread use of sampling in popular music originated with the birth of Hip Hop music in New York in the late 70's and early 80's. This is typically done with a sampler, which can be a have been used extensively in genres including hip hop Hip Hop is an artistic sub-culture that originated in the 1970s in the inner city African American community of New York City. DJ Afrika Bambaataa outlined the four pillars of Hip-Hop Culture: MCing, DJing, B-boying/B-girling, and graffiti writing. Other elements include hip hop fashion and slang, house music House is a style of electronic dance music that originated in Chicago, Illinois, USA in the early 1980s. It was initially popularized in mid-1980s discothèques catering to the African-American, and Latino American communities; first in Chicago, then in Detroit, New York City, New Jersey, and Miami. It then reached Europe before becoming infused and drum and bass Drum and bass is a type of electronic dance music which emerged in the mid 1990s. The genre is characterized by fast breakbeats (typically between 160–190 bpm, occasional variation is noted in older compositions), with heavy bass, sub-bass lines, and occasional infra-bass lines. Drum and bass began as an offshoot of the United Kingdom rave scene. It is also the main influence of go-go Go-go is a subgenre of funk that originated in the Washington, D.C., area during the mid- to late-1970s. A handful of bands contributed to the early evolution of the genre, but singer-guitarist Chuck Brown is credited with having developed most of the hallmarks of the style.

Etymology

The word funk basically refers to a strong, generally offensive odor. It is alleged to have its semantic roots in the smell of tobacco smoke and was commonly regarded as coarse or indecent. African-American jazz musicians originally applied the term to music with a slow, mellow groove, then later with a hard-driving, insistent rhythm, as it implies a bodily or gritty quality. This early form of the music set the pattern for later musicians.^[2]

The music was slow, sexy, loose, riff In music, an ostinato is a motif or phrase which is persistently repeated in the same musical voice. An ostinato is always a succession of equal sounds. Each note always has the same weight in an ostinato. The repeating idea may be a rhythmic pattern, part of a tune, or a complete melody. Both "ostinatos" and "ostinati" are-oriented and danceable. Funky typically described these qualities rather than a distinct genre. In jam sessions, musicians would encourage one another to "get down Get down is a stance, posture or movement in many traditional African cultures and throughout the African diaspora. It involves bending at the waist and knees, bringing the body low to the ground in moments of ecstacy or intensity. Bending at the knees and waist is an expression of profound spirituality[citation needed] and connectedness to the" by telling one another, "Now, put some stank ('stink'/funk) on it!" At least as early as 1907, jazz Jazz is a music genre that originated at the beginning of the 20th century in African American communities in the Southern United States from a confluence of African and European music traditions. From its early development until the present, jazz has incorporated music from 19th and 20th century American popular music. Its West African pedigree songs carried titles such as Buddy Bolden Charles "Buddy" Bolden was an African American cornetist and is regarded by contemporaries as a key figure in the development of a New Orleans style of rag-time music which later came to be known as jazz's "Funky Butt."^[3] As late as the 1950s and early 1960s, when "funk" and "funky" were used increasingly in the context of Soul music Soul music is a music genre originating in the United States combining elements of gospel music and rhythm and blues. According to the Rock and Roll Hall of Fame, soul is "music that arose out of the black experience in America through the transmutation of gospel and rhythm & blues into a form of funky, secular testifying." Catchy, the terms still were considered indelicate and inappropriate for use in polite company. According to one source, New Orleans New Orleans (pronounced /njuː ˈɔrliənz/ or /ˈnjuː ɔrˈliːnz/, locally [nuː ˈɔrlənz] or [ˈnɔrlənz]; French: La Nouvelle-Orléans [la nuvɛlɔʁleɑ̃] ) is a major United States port and the largest city and metropolitan area in the state of Louisiana. The New Orleans metropolitan area, (New Orleans–Metairie–Kenner) has a-born drummer Earl Palmer Earl Cyril Palmer was an American drummer and member of the Rock and Roll Hall of Fame "was the first to use the word 'funky' to explain to other musicians that their music should be made more syncopated and danceable."^[4]

Characteristics

Funk creates an intense groove Groove is the sense of propulsive rhythmic "feel" or sense of "swing" created by the interaction of the music played by a band's rhythm section . The term is mainly used in the context of genres outside of Western art music, such as funk, rock music, power groove, fusion, and soul. The word is often used to describe the aspect by using strong bass guitar The bass guitar is a stringed instrument played primarily with the fingers or thumb (either by plucking, slapping, popping, tapping, or thumping), or by using a plectrum riffs and bass lines. Like Motown recordings, funk songs used bass lines as the centerpiece of songs. Slap In music, the term slapping is often used to refer to two different playing techniques used on the double bass and on the bass guitar bass' mixture of thumb-slapped low notes and finger "popped" (or plucked) high notes allowed the bass to have a drum-like rhythmic role, which became a distinctive element of funk. Some of the best known and most skilful soloists in funk have jazz Jazz is a music genre that originated at the beginning of the 20th century in African American communities in the Southern United States from a confluence of African and European music traditions. From its early development until the present, jazz has incorporated music from 19th and 20th century American popular music. Its West African pedigree backgrounds. Trombonist Fred Wesley Fred Wesley is an American jazz and funk trombonist, best known for his work with James Brown in the 1960s and 1970s and saxophonist Maceo Parker Maceo Parker (born February 14, 1943) is an American funk and soul jazz saxophonist, best known for his work with James Brown in the 1960s, as well as Parliament-Funkadelic in the 1970s. Parker was a prominent soloist on many of Brown's hit recordings, and a key part of his band, playing alto, tenor and baritone saxophones. He is now just as well are among the most notable musicians in the funk music genre, with both of them working with James Brown James Joseph Brown, Jr. was an American singer and entertainer. Eventually referred to as "The Godfather of Soul", Brown started singing in church groups and worked his way up. He has been recognized as one of the most influential figures in the 20th century popular music and was renowned for his vocals and feverish dancing. He was also, George Clinton George Clinton is an American singer, songwriter, bandleader, and music producer and the principal architect of P-Funk. He was the mastermind of the bands Parliament and Funkadelic during the 1970s and early 1980s, and began his work as a solo artist in 1981. He has been called one of the most prominent innovators of funk music, along with James and Prince Prince is an American singer, songwriter, musician, and actor. He has also been known under the unpronounceable symbol , which he used between 1993 and 2000. This name change invoked controversy and many referred to him as "the artist formerly known as Prince" often abbreviated to "TAFKAP", or simply "The Artist". Some 1960s/70s funk bands are Kool & The Gang Kool & The Gang are an American jazz/R&B/soul/funk/disco group. They originally formed in Jersey City, New Jersey, U.S.A. in 1964. They went through several musical phases during the course of their recording career, starting out with a purist jazz sound, then becoming practitioners of R&B and funk, progressing to a smooth pop-funk, Tower Of Power Tower of Power is an American soul and funk based horn section and band, originating in Oakland, California that has been performing for over 40 years, Earth, Wind & Fire, The Blackbyrds, The Ohio Players, or The Brothers Johnson.

Funk utilized the same extended chords found in bebop jazz, such as minor chords with added sevenths and elevenths, or dominant seventh chords with altered ninths. However, unlike bebop jazz, with its complex, rapid-fire chord changes, funk virtually abandoned chord changes, creating static single chord vamps with little harmonic movement, but with a complex and driving rhythmic feel.

The chords used in funk songs typically imply a dorian or mixolydian mode, as opposed to the major or natural minor tonalities of most popular music. Melodic content was derived by mixing these modes with the blues scale. In the 1970s, jazz music drew upon funk to create a new subgenre of jazz-funk, which can be heard in recordings by Miles Davis (On The Corner) and Herbie Hancock (Head Hunters).

In funk bands, guitarists typically play in a percussive style, often using the wah-wah sound effect and muting the notes in their riffs to create a percussive sound. Guitarist Ernie Isley of The Isley Brothers and Eddie Hazel of Funkadelic were notably influenced by Jimi Hendrix's improvised solos. Eddie Hazel, who worked with George Clinton, is one of the most notable guitar soloists in funk. Ernie Isley was tutored at an early age by Jimi Hendrix himself, when he was a part of The Isley Brothers backing band and lived in the attic temporarily at the Isleys' household. Jimmy Nolen and Phelps Collins are famous funk rhythm guitarists who both worked with James Brown.

History

The distinctive characteristics of African-American musical expression are rooted in West African musical traditions, and find their earliest expression in spirituals, work chants/songs, praise shouts, gospel and blues. In more contemporary music, gospel, blues and blues extensions and jazz often flow together seamlessly. Funky music is an amalgam of soul music, soul jazz and R&B.

James Brown and others have credited Little Richard's saxophone-studded, mid-1950s road band as being the first to put the funk in the rock'n'roll beat.^[5] Following his temporary exit from secular music to become an evangelist, some of Little Richard's band members joined Brown and the Famous Flames, beginning a long string of hits in 1958.

Background

Late 1960s: invention of funk by James Brown

By the mid-1960s, James Brown had developed his signature groove that emphasized the downbeat – with heavy emphasis on the first beat of every measure to etch his distinctive sound, rather than the backbeat that typified African American music.^[6] Brown often cued his band with the command "On the one!," changing the percussion emphasis/accent from the one-two-three-four backbeat of traditional soul music to the one-two-three-four downbeat – but with an even-note syncopated guitar rhythm (on quarter notes two and four) featuring a hard-driving, repetitive brassy swing. This one-three beat launched the shift in Brown's signature music style, starting with his 1964 hit single, "Out of Sight" and his 1965 hit, "Papa's Got a Brand New Bag".

Brown's innovations pushed the funk music style further to the forefront with releases such as "Cold Sweat" (1967), "Mother Popcorn" (1969) and "Get Up (I Feel Like Being A) Sex Machine" (1970), discarding even the twelve-bar blues featured in his earlier music. Instead, Brown's music was overlaid with "catchy, anthemic vocals" based on "extensive vamps" in which he also used his voice as "a percussive instrument with frequent rhythmic grunts and with rhythm-section patterns ... [resembling] West African polyrhythms" -- a tradition evident in African American work songs and chants.^[7] Throughout his career, Brown's frenzied vocals, frequently punctuated with screams and grunts, channeled the "ecstatic ambiance of the black church" in a secular context.^[7]

In a 1990 interview, Brown offered his reason for switching the rhythm of his music: "I changed from the upbeat to the downbeat.... Simple as that, really."^[8] According to Maceo Parker, Brown's former saxophonist, playing on the downbeat was at first hard for him and took some getting used to. Reflecting back to his early days with Brown's band, Parker reported that he had difficulty playing "on the one" during solo performances, since he was used to hearing and playing with the accent on the second beat.^[9]

Other musical groups picked up on the riffs, rhythms, and vocal style developed by James Brown and his band, and the style began to grow. Dyke & the Blazers based in Phoenix, Arizona, released "Funky Broadway" in 1967, perhaps the first record of the soul era to have "funky" in the title. Meanwhile, on the West Coast, Charles Wright & the Watts 103rd Street Rhythm Band was releasing funk tracks beginning with its first album in 1967, culminating in the classic single "Express Yourself" in 1970.

The Meters defined funk in New Orleans, starting with their Top Ten R&B hits "Sophisticated Cissy" and "Cissy Strut" in 1969. Another group who would define funk in the decade to come were The Isley Brothers, whose funky 1969 #1 R&B hit, "It's Your Thing", signaled a breakthrough in African-American music, bridging the gaps of the rock of Jimi Hendrix and the upbeat soul of Sly & the Family Stone and Mother's Finest.

P-Funk and the 1970's

In the 1970s and early 1980s, a new group of musicians further developed the "funk rock" approach innovated by George Clinton, with his main bands Parliament and, later, Funkadelic. Together, they produced a new kind of funk sound heavily influenced by jazz and psychedelic rock. The two groups had members in common and often are referred to collectively as "Parliament-Funkadelic." The breakout popularity of Parliament-Funkadelic gave rise to the term "P-Funk", which referred to the music by George Clinton's bands, and defined a new subgenre.

"P-funk" also came to mean something in its quintessence, of superior quality, or sui generis, as in the lyrics from "P-Funk (Wants to Get Funked Up)" a hit single from Parliament's album "Mothership Connection":

I want the bomb. I want the P-Funk. I want my funk uncut.

The 1970s was probably the era of highest mainstream visibility for funk music. George Clinton played a masterminding role in Bootsy's Rubber Band and several other bands he put together, including Parlet, the Horny Horns, and the Brides of Funkenstein, all part of the P-Funk conglomerate.

Funk music was exported to Africa in the late 1960s, and melded with African singing and rhythms to form Afrobeat. Fela Kuti was a Nigerian musician who is credited with creating the music and terming it "Afrobeat".

In the early 1970’s, when funk was becoming more mainstreamed, artists like Parliament Funkadelic, Rufus & Chaka Khan, the Isley Brothers, Sly and the Family Stone, Ohio Players, Labelle, Confunkshun, among others, were successful and getting radio play but according to Billboard Magazine, only Sly & the Family Stone had singles which made it to #1. In 1970 ‘Thank You (Falettinme Be Mice Elf Agin)’ hit # 1 as did ‘Family Affair’ in 1971 affording Sly and Funk crossover success and greater recognition unlike some of their equally talented but moderately popular peers before the arrival of Disco around the middle of that decade which remained hugely popular until the early 80's. Herbie Hancock starting with his 1973 "Head Hunters" album continued playing funk throughout his entire career. In fact, all of his 70's albums after "Head Hunters" were heavily influenced by Funk. It was the main driving force of Hancock's 70's music, most of it being instrumental. He was also one of the first big jazz artists to switch his sound to funk.

Disco music owed a great deal to funk. Many early disco songs and performers came directly from funk-oriented backgrounds. Some disco music hits, for example "I'm Your Boogie Man" by KC & The Sunshine Band, "I'm Every Woman" by Chaka Khan also known as The Queen of Funk Soul, and "Le Freak" by Chic, included riffs or rhythms very similar to funk music.

1980s and stripped-down funk

In the 1980s, largely as a reaction against what was seen as the over-indulgence of disco, many of the core elements that formed the foundation of the P-Funk formula began to be usurped by electronic machines and synthesizers. Horn sections of saxophones and trumpets were replaced by synth keyboards, and the horns that remained were given simplified lines, and few horn solos. The classic keyboards of funk, like the Hammond B3 organ and the Fender Rhodes piano began to be replaced by the new digital synthesizers such as the Yamaha DX7. Electronic drum machines began to replace the "funky drummers" of the past, and the slap and pop style of bass playing were often replaced by synth keyboard bass lines. As well, the lyrics of funk songs began to change from suggestive double entendres to more graphic and sexually explicit content.

Rick James was the first funk musician of the 1980s to assume the funk mantle dominated by P-Funk in the 1970s. His 1981 album Street Songs with the singles "Give It To Me Baby" and "Super Freak" resulted in James becoming a star, and paved the way for the future direction of explicitness in funk.

Prince used a stripped-down instrumentation similar to Rick James, and went on to have as much of an impact on the sound of funk as any one artist since James Brown. Prince combined eroticism, technology, an increasing musical complexity, and an outrageous image and stage show to ultimately create a musical world as ambitious and imaginative as P-Funk. The Time, originally conceived as an opening act for Prince and based on his "Minneapolis sound", a hybrid mixture of funk, R&B, rock, pop & New Wave, went on to define their own style of stripped-down funk based on tight musicianship and sexual themes.

Bands that began during the P-Funk era incorporated some of the uninhibited sexuality of Prince and state-of-the-art technological developments to continue to craft funk hits. Cameo, Zapp, The Gap Band, The Bar-Kays, and The Dazz Band all found their biggest hits in the 80s, but by the latter half of the 80s, funk had lost its commercial impact.

Afrika Bambaataa, influenced by Kraftwerk, created electro funk, a minimalist machine-driven style of funk with his single "Planet Rock" in 1982. Also known simply as electro, this style of funk was driven by synthesizers and the electronic rhythm of the TR-808 drum machine. The single "Renegades of Funk" followed in 1983.

Funk became an international style of music, and is played by bands from such countries as Canada, the United Kingdom, France, Italy, Spain, Japan, Algeria, India, South Africa, Brazil, and Nigeria.

Recent developments

While funk was all but driven from the radio by slick commercial hip hop, Contemporary R&B and New Jack Swing, its influence continued to spread. Rock bands began adding elements of funk to their sound, creating new combinations of "funk rock" and funk metal. Red Hot Chili Peppers, Living Colour, Jane's Addiction, Prince, Primus, Fishbone, Faith No More, Infectious Grooves, Incubus and Rage Against the Machine spread the approach and styles garnered from funk pioneers to new audiences in the mid-to-late 1980s and the 1990s. These bands later inspired the underground mid-1990s funkcore movement and current funk-inspired artists like Outkast, Malina Moye, Van Hunt, and Gnarls Barkley.

In the 1990s, artists like Me'shell Ndegeocello and the (predominantly UK-based) acid jazz movement including artists and bands such The Brand New Heavies, Incognito, Galliano, Omar and Jamiroquai carried on with strong elements of funk. However, they never came close to reaching the commercial success of funk in its heyday, with the exception of Jamiroquai whose album Travelling without Moving sold about 11.5 million units worldwide. Meanwhile in Australia and New Zealand, bands playing the pub circuit, such as Supergroove, Skunkhour and The Truth, preserved a more instrumental form of funk.

Since the late 1980s hip hop artists have regularly sampled old funk tunes. James Brown is said to be the most sampled artist in the history of hip hop, while P-Funk is the second most sampled artist; samples of old Parliament and Funkadelic songs formed the basis of West Coast G Funk.

Original beats that feature funk-styled bass or rhythm guitar riffs are also not uncommon. Dr. Dre (considered the progenitor of the G-Funk genre) has freely acknowledged to being heavily influenced by George Clinton's psychedelic funk: "Back in the 70s that's all people were doing: getting high, wearing Afros, bell-bottoms and listening to Parliament-Funkadelic. That's why I called my album The Chronic and based my music and the concepts like I did: because his shit was a big influence on my music. Very big".^[10] Digital Underground was a large contributor to the rebirth of funk in the 1990s by educating their listeners with knowledge about the history of funk and its artists. George Clinton branded Digital Underground as "Sons of the P", as their second full length release is also titled. DU's first release, Sex Packets, was full of funk samples, with the most widely known "The Humpty Dance" sampling Parliament's "Let's Play House". A very strong funk album of DU's was their 1996 release Future Rhythm. Much of contemporary club dance music, drum and bass in particular has heavily sampled funk drum breaks.

Funk is a major element of certain artists identified with the Jam band scene of the late 1990s and 2000s. Phish began playing funkier jams in their sets around 1996, and 1998's The Story of the Ghost was heavily influenced by funk. Medeski Martin & Wood, Robert Randolph & The Family Band, Galactic, Jam Underground, Diazpora, Soulive, and Karl Denson's Tiny Universe all drawing heavily from the funk tradition. Lettuce, a band of Berklee College Of Music graduates, was formed in the late 1990s as a pure-funk emergence was being felt through the Jam band scene. Many members of the band including keyboardist Neal Evans went on to other projects such as Soulive or the Sam Kininger Band. In April 2008, they released a new album entitled Rage!

Since the mid 1990s the nu-funk scene, centered around the Deep Funk collectors scene, is producing new material influenced by the sounds of rare funk 45's. Labels include Desco, Soul Fire, Daptone, Timmion, Neapolitan, Kay-Dee, and Tramp. These labels often release on 45 rpm records. Although specializing in music for rare funk DJ's, there has been some crossover into the mainstream music industry, such as Sharon Jones' 2005 appearance on Late Night with Conan O'Brien.

In the early 2000s, some punk funk bands such as Out Hud perform in the indie rock scene. Indie band Rilo Kiley, in keeping with their tendency to explore a variety of rockish styles, incorporated funk in to their song "The Moneymaker" on the album Under the Blacklight. Prince, with his recent albums has given a rebirth to the funk sound with songs like "The Everlasting Now", "Musicology", "Ol' Skool Company", and "Black Sweat".

Funk has also been incorporated into modern Urban Pop & R&B music by many female singers such as Beyoncé Knowles with her 2003 hit "Crazy In Love", Jennifer Lopez in 2005 with Get Right which samples Maceo Parker's Soul Power '74 horn sound, and also Amerie with her song 1 Thing.

Subgenres

From the early 1970s onwards, funk has developed various subgenres. While George Clinton and the Parliament were making a harder variation of funk, bands such as Kool and The Gang, Ohio Players and Earth, Wind and Fire were making disco-influenced funk music.^[11]

Funk rock

Funk rock (also written as funk-rock or funk/rock) fuses funk and rock elements.^[12] Its earliest incarnation was heard in the late '60s through the mid-'70's by musicians such as Jimi Hendrix, Frank Zappa, Herbie Hancock, Gary Wright, David Bowie, as well as Mother's Finest, and Funkadelic on their earlier albums.^{[citation needed]}

Many instruments may be incorporated into funk-rock, but the overall sound is defined by a definitive bass or drum beat and electric guitars. The bass and drum rhythms are influenced by funk music but with more intensity, while the guitar can be funk-or-rock-influenced, usually with distortion. Prince, Jesse Johnson, and Fishbone are major artists in funk rock.

Electro music

Electro music is a hybrid of electronic music and funk. It essentially follows the same form as funk, and retains funk's characteristics, but is made entirely (or partially) with a use of electronic instruments such as the TR-808. Vocoders are often used. Early artists include Herbie Hancock, Zapp (band), Afrika Bambaataa and Vaughn Mason & Crew.

Funkcore

Funkcore is a fusion of hardcore punk and funk created in the 1980s. Hard, loud and fast guitars are featured, but unlike in most rock music, it does not overpower the bass, which is heavy and driving. Drums are often funk-influenced, but with intense hardcore-styled pounding. Synthesizers or horn sections sometimes make an appearance, although they are not integral. Examples of funkcore bands are Jungle Fever, Adequate Seven, Dance Gavin Dance and Big Boys.

Punk-funk

Punk-funk (or funk-punk) is a mix of punk or indie rock songs with funk and disco elements, usually associated with the No Wave and post-punk movements of the 70's. Some times, the punk influence is replaced by an alternative rock influence. The first appearance of this subgenre was in 1979, when Gang Of Four released their debut album, Entertainment!. In the 1980s, bands such as made punk-funk become more famous. The style was revitalized by "The New New York Underground Scene", starting to mix their usual punk-funk with house, dub and hip-hop.

Funk metal

Funk metal (sometimes typeset differently such as funk-metal) is a fusion genre of music which emerged in the 1980s.^[13] It typically incorporates elements of funk and heavy metal. It features hard-driving heavy metal guitar riffs, the pounding bass rhythms characteristic of funk, and sometimes hip hop-style rhymes into an alternative rock approach to songwriting. A good example of a funk metal band is Living Colour and they have been said to be "funk-metal pioneers" by Rolling Stone.

G-Funk

G-Funk is a fusion genre of music which combines gangsta rap and funk. It is generally considered to have been invented by Dr.Dre.

Funk jam

Funk jam is a fusion genre of music which emerged in the 2000s. It typically incorporates elements of funk and often exploratory guitar, along with extended cross genre improvisations; often including elements of jazz, ambient, electronic, americana, and hip hop including improvised lyrics.

See also

• List of funk musicians
• African American music

Notes

1. ^ Presence and pleasure: the funk grooves of James Brown and Parliament, p.3
2. ^ Merriam-Webster, Inc, The Merriam-Webster New Book of Word Histories (Merriam-Webster, 1991), ISBN 0877796033, p. 175.
3. ^ Who Started Funk Music, Real Music Forum
4. ^ Obituary, The Guardian
5. ^ Little Richard
6. ^ Lessons in listening - Concepts section: Fantasy, Earth Wind & Fire, The Best of Earth Wind & Fire Volume I, Freddie White. (1998, January). Modern Drummer Magazine, pp. 146–152. Retrieved January 21, 2007.
7. ^ ^{a b} Collins, W. (2002, January 29). James Brown. St. James Encyclopedia of Popular Culture. Retrieved January 12, 2007.
8. ^ Pareles, J. (2006, December 26). James Brown, the "Godfather of Soul" dies at 73. The New York Times. Retrieved January 31, 2007.
9. ^ Gross, T. (1989). National Public Radio. Retrieved January 22, 2007.
10. ^ Dr. Dre > Biography at MyStrands
11. ^ Presence and pleasure: the funk grooves of James Brown and Parliament, p.4
12. ^ Vincent, Rickey (2004). "Hip-Hop and Black Noise:Raising Hell". That's the Joint!: The Hip-hop Studies Reader. pp. 489–490. ISBN 0-415-96919-0.
13. ^ Scaruffi, Piero (2003). A History of Rock Music, 1951-2000. pp. 475. ISBN 0595295657.

References

• Vincent, Rickey (1996). Funk: The Music, The People, and The Rhythm of The One. St. Martin's Press. ISBN 0-312-13499-1.
• Thompson, Dave (2001). Funk. Backbeat Books. ISBN 0-87930-629-7.
• Wermelinger, Peter (2005). Funky & Groovy Music Records Lexicon. -. ISBN 3-9522773-1-2.

Categories: African American music | American styles of music | Funk | Soul music genres | Rhythm and blues music genres

See Also:

What Links Here:

Recently Viewed Pages:

• Blogs
• Shopping
• Home
• Screamo: Encyclopedia
• Clothing: Blogs
• Weezer: Auctions
• Copyright
• Domain Details
• Punk Rock: Encyclopedia
• Shopping: Antiques and Collectibles: Clothing: Directory

Most Popular Pages:

• Fads and Trends: Blogs
• Boho-chic: Answers
• Category:2000s Fads: Blogs
• Shopping
• Recreation: Collecting: Militaria: Medals, Orders, Decorations
• Daryl Palumbo: Encyclopedia
• Emo: Answers
• Screamo: Encyclopedia
• Blogs
• Emo OR Emo (Slang): Blogs

Related 'Funk' Searches: